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| The Shark Attack EP |
In a Lemony Snicket kind of way, it seemed fitting that was the night that we celebrated The Maw's long awaited release of their Shark Attack EP, a project that has been in the works (at least talked about) since my introduction to the band in October of 2010. Since then the band has evolved from it's tadpole incarnation to the fierce Great White that it is today. That's not to say that their music wasn't outstanding then - they've always blown me away - but through the sands of time, some minor turbulence, and a couple changes in the band's lineup, The Maw has persevered like no other band in the city. Rarely does a band lose it's foundation (bass player and drummer) and still maintain viability. The Maw have done just that.
The four song EP is a small taste of what The Maw bring to the stage, but it's still a solid half hour of brain-twisting prog that will keep your head swimming. Forrest Lonefight's melodic genius on the guitar is ever-present and Erik Brown's voice is sharp as the razor edge notes he hits on the electric piano.
To say that he and Lonefight know each other musically would be the understatement of the year. Onstage, they appear to be guided by an unseen force and this translates into this recording, especially on the EP's title track, "Shark Attack."
The song is a soundtrack to death by shark. It takes you through the entire journey - from the initial violent attack through the calmer moments when the shark lays off and you are floating in and out of consciousness. Then, without warning the shark returns and you are jerked through a spiraling wheel of death as you are shredded to the bone...
Sounds lovely doesn't it? Trust me, it is.
Interestingly enough and in perhaps a tribute to the band's former members, the final track on the EP, "Call To Arms" was recorded live* at the House of Bricks when former drummer Justin Bristow and former bassist Joe Antleman were the heads of the band's rhythm department. It's an admirable nod to these two considering the timeline from when this EP was being planned.
Current drummer Shane Mills is as articulate a drummer as you will find, and with Jeff Stone who now handles the bass duties, they guide the ship fearlessly. The arrangements that the Maw create are intensely complicated, and it takes serious musicians to recreate the sounds that were lost when Antleman and Bristow left the band. Not only are Mills and Stone capable of doing this, but their personal styles and improvisations seem to bring a new and welcome element to the band's sound.
The tracks are:
Buddy System (6:48) - with excerpts from the Jonestown 'Death Tape.'
Shark Attack (4:55)
Interlude (4:17)
Call To Arms (13:48)
The Maw have always had the ability to balance focus and disillusion while keeping a choke hold on the listener's subconscious. They take you on a journey to places where it's unfamiliar and dark, and while that's a strong quality of the music they create, it's also somehow exalting and awakening.
As one person mentioned to me at the Maw's final show at the House of Bricks, "They never get old, and it's better every time."
You can see for yourself. The Maw are playing Dec. 6 at the Kum and Go Theater inside the Des Moines Social Club. It is the FFN Burton Ball and it is a night of music, art, performances and costumes themed towards your favorite Tim Burton films. Proceeds benefit the John Stoddard Cancer Center Compassion Fund. Aside from The Maw, the night will feature performances by Rumble Seat Riot, Switchblade Saturdays and The Spartan Blue.
While you are at it, pick up the Shark Attack EP. If you dare.
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The Maw on Facebook
*"Call To Arms" recorded at House of Bricks, documented in Greg Waldrop's Beyond The Stage series.
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