Saturday, June 2, 2012

Rocklahoma 2012 Recap Notice



Since I got home from Rocklahoma earlier this week, things have been kinda crazy. I jumped right back into my regular job of course, and had until Thursday to be packed and moved into my new place which meant a lot of extra hustle and bustle. In other words I have been running rampant, without much of an opportunity to write a recap of the rock and roll events that happened last weekend in Pryor.

I hope to get everything caught up within the next few days. Plus we've got some other exciting stuff on deck.

Thanks for reading!

Monday, May 28, 2012

The Dickies-House Of Blues,Anaheim,CA-5-20-12


 
   Hooray for winning free tickets all the time! Early show at the House of Blues in Disneyland. Nothing more fun then silly Punk Rock while watching kids walk around wearing Mickey hats and eating $20 churros. The lady at the door only wanted to give me 1 ticket,tho I won 2. After bugging the hell out of her she finally gave me one.

   Thanks to that lady I missed the first 3 bands. Luckily Casey Royer of D.I. showed up and was my good luck charm to make that lady get me in. I got in just in time for every ones favorite Clown band, The Yeastie Boys! As soon as the circus music ended they threw like 100 beach balls at us.. Of course we threw em back,at each other,and at the staff. They did some great clever covers like The Weirdos,"We Got The BOZO(Neutron) Bomb),Descendents,"I'm not a Jokester(loser),and Ramones "Bozo (Blitzkrieg ) Bop. And some of the old ones I heard from last time. Casey Royer of OC Legendary band D.I (and OG member of Adolescents and Social Distortion) got on stage in clown gear. He told the crowd he was Caseys brother "Clowney Royer". He sang a jokester version of DI song Bozos(Johnnys) Got A Problem and Adolescents Kids Of The Black Hole(Clowns on The Tight Rope).They seriously put on another great show. Nothing more fun then singing silly covers while wearing a clown nose throwing beach balls at the band. Great jobs clowns,great freakin job!
 
After the clowns it was Knocked Out Cold. A local Street Punk/Ska act. I thought they were ok but a lot of their fans where there cheering them on. I give em mad props for giving all their merch away for free. They ended with an Op Ivy cover. Great ska punk. Check em out.
  Casey came back to introduce the next band,Amerikan Made. They reminded me a lot of Pennywise and they a good solid set. They gave me a demo after,pretty cool stuff.
 Up next was legendary and super underrated 2tone Ska band The Untouchables. And I ain't gonna lie,I had more fun seeing these guys then when I saw The English Beat. The moshing stopped for this band and the dancing began. People where actually dancing and singing along for this band(as well as clowns). The songs were catchy,fun,and everything it takes to make a great Ska band. You must check this band out. Very good and underrated.
 LA's Own Briggs where next. The Briggs have gotten huge over the years with radio play,Warped Tours,and even had one of their songs be used for the official theme song of the LA Kings. I expected the place to be packed for them but hardly anyone showed up to this show. They started and die hard Briggs fans got upfront and sang a long. Fights broke out,little girls sang,it was awesome,They put on a great show weather its for 50 random dudes or a big ass crowd when they're opening for Bad Religion. They're a really great band. Check out their album Numbers. Chances are they're coming to a town near you.
 My first ever show was The Adicts back when I was 13. My cousin took me and he told me "Hey The Dickies are opening,they're real fun live" and he was beyond right. The lights dimmed and they all came out playing the theme they're most famous for "Killer Klowns From Outer Space". Of course the Clowns already there went super nuts and we all sang a long. The Dickies are a band everyone must see live. If you live in California I'm sure you've seen em open up for someone,if not their act involves Blow up dolls,dog puppets,penis puppets,goggles,and big hammer,and much more. I really don't wanna ruin the show for you but its really something else. The Dickies rule. And if you don't have The Incredible Shrinking Dickies in your collection.....you're missing out big time. This is a band that use to have Guns N' Roses open for them,to be signed by a major record label,and have had The Ramones wear their merch on stage. The Dickies are legendary.

Integrity-The Glass House-Pomona,CA-5/19/12

 Scion brought Integrity to Southern California for the 3rd time. Since then Scion shows have been moved to a bigger venue in Pomona. More room. Got there,got in line,picked up some free CD's and socks. Now that this venue has ins and outs I could grab a bunch of free vinyl now and put it in my car. Glass House is cool.
         First band was Blackened Crust band from North Carolina, Young And In The Way. They set up the stage with candles and a random stage prop. They played a slow creepy long song then busted out to the loud fast evil crust. The lead singer had so much stage rage he head banged all over and kept flipping us off. The music was a great Black/Crust vibe with Mayhem and Doom influences. After throwing beer at us,he took the sheet off the prop. It was animal head(I think  a pig). He burned a bit with a lighter,then threw at the audience. For being the first band to play,they where seriously the best and my favorite. After the set I bought a shirt/patch. This was their first West Coast show and I really hope they come here more often.  Listen to "I Am Not What I Am."
Next band was Southern California's own HxC act,The Love Below. None of my buds liked em,but I thought they were ok. Vocals where high pitched and sounded like he was going thru puberty but I thought it made em unique. Reminded me sort of Gorilla Biscuits. A ok.
Next band was sludge locals Seven Sisters Of Sleep. They play and have quite the fan base. Tho I'm not a fan of Sludge metal at all,they did a cool set. Check em out if your into that stuff.

Last time scion brought Cleavland Ohio's Ringworm,I missed it and I was bummed. Luckily they came back. Ringworm is like HxC for metalheads. Great Hardcore with a total metal vibe,which made them the legendary band they are. As soon as they started kids started hardcore dancing like crazy all over the floor.  They played a lot songs off Birth Is Pain which is my favorite album. If they're ever near you,u gotta see em live. Ringworm and YAITW where the highlights of the show for me.
Finally kids got all bunched up for Integrity. As soon as music started the hxc dancing continued. Unlike the last time I saw em people where hardly there. Good to see more of the fans came out this time. Bunch of stage diving and singing along to my favorite songs in System Of Overload. After a long set. The place shut em down. They kept telling to crowed to keep yelling for one more song. They eventually gave it to them. Integrity did a WAY better job than the last time I saw em. Fans of Hardcore/Punk must love em. After they gave out stickers and did a secret show next door I heard. Sick show was sick.

Sunday, May 6, 2012

Weekend Nachos-The Mime,Los Angeles CA 4/27/12

Ive been looking really forward to this show. Last year due to lack of funds I missed Weekend Nachos when they came to town. I couldn't miss em this time. I made sure I went. My buds took forever to pick me up but when they did we drove fast over there. The place was literally a nice pretty hole in the wall which felt like the inside of a volcano. We missed locals Disapproval and Duke Nukem Forever(who ive seen twice) but no big deal.

First band we saw was Chicago HxC band Spine.  They have members of Harms Way/Weekend Nachos and the demo they have out is pretty sweet. They started a kids started moshing and dancing in the little place (including the singer who jumped on people). A few crowd surfs and what not. They're sick. Hopefully they come back soon. Listen to demo here!
Next touring band was Dead in the Dirt from Atlanta,Georgia. Maximum Grindage with Crust/Sludge/HxC vibes. Once again the kids where moshing and what not. Really fuckin good. Go see em if they're your town. Download their bad ass EP's here!
And again for the millionth time I went upfront and saw ACxDC,who are obviously one of my all time favorite bands. They played the typical set,with a new song and me grabbing the mic for Milk Was A Bad Choice. Stage diving,craziness, and stuff that will never get old for me. Fun every time. As I write this,Sergio's daughter went through surgery. I heard it went positive which makes everyone happy. Positive vibes to you and your family Sergio.
Another band that ill never get tired of seeing is Lack Of Interest. They always start with Never Back Down and always end with their Infest cover of Mindless.Cant say anything other than I feel sorry for you for not living in LA cause we get to see Lack at almost every Powerviolence show.
Finally it was time for Chicago Powerviolence act Weekend Nachos. By then a lot of people had left early due to the fact they couldn't take the heat of the hot ass little venue. Some of my friends even went outside to sit this one out. I bought a WN t shirt(it has Freddy Kruger on it!) from the singer himself. Gave it to my buds to hold and I went upfront myself. Their singer announced how it was so fucking hot that if anyone passes out to let them know right away so they can stop. They started and we all went crazy and nasty. Stage Dives and Hi Fives where all over the place and getting my buds to pick me up so I crowd surf. Sing a longs and getting crushed. It was like raging waters in there. WN are very fun live. After they finished I told the singer to come again,he said "For fucking sure". They later bragged how this was the craziest show of the tour. Check out their latest album,Worthless. Amazing Powerviolence.

Vesterian-The Joint,Los Angeles,CA 4-14-12

My good friend Roger is the drummer for LA's  Black Metal warriors Vesterian. He recently joined this band and his first show was the day before this one. Due to my car being messed up plus the rain I wasn't able to go. Next day he needed a ride to this show. We got there,helped moved stuff and sat down to see the band in this place.

First band was Black Mist,LA local Black Metal with members of Hordes Of Hate. I actually enjoyed this band a lot. They where a 3 piece,no bass,Kvlt as fuck band. The songs were catchy and fast. They have an EP out "Nocturnal Ritual". I gotta get it.

Up next was Deminurere. a Black Metal band that was pretty heavy. No corpse paint was worn but they did a swell job. A ok.

Blood Etchings from Washington where on tour and played. People started to get into em . The singer covered his head in a towel or something and sang like that for a while. They played and made heads bang. They have a demo out,try to find it.
Also on tour from Washington was Sacrament Ov Impurity. Now these guys where great. Lead singer was a beautiful young lady. She wore corpse paint (like the rest of the bands) but she had a cape. She wrapped her self around like Batman,stood still,and sang like the rest of the show. It was really cool. Guitar player also sang and had a great  evil voice. Im a fan of these guys now. They have one album out,A World Behind Damnation. Its gotta be good.
Sumeria,another local BM band fogged up the room and had some upside down cross on stage. They had a quite a fan base with kids shouting out songs and horns being thrown in the air. They have some stuff out,i gotta get into it.
My bud in Vesterian headlined the show. They had way too much smog on but the music made up for it. The guitar playing was excellent,the bass was loud,and the drums where fucking hard. The vocals were totally different from any BM I've heard before.  It was an evil screech. They played for a good ol 40 min and had me headbanging. They have a lot of demos out but a full length is coming out soon. If you dig old skool black metal i def. recommend these guys. Not your typical trve band at all. Totally original. Thanks for reading my first full Black Metal review.

Tuesday, May 1, 2012

J. Reeferseed & High Rollers Hull Ave Tap 4/20/12

If Christmas has Santa Claus, then national Counterculture Day (or April 20th) has Willie Nelson. Closer to home however, the holiday's official icon just might be Johnny Reeferseed. This past Friday night he blazed into the Hull Avenue Tap with his original gang of outlaws, The High Rollers for what turned out to be one helluva smokin' good time.

There was no need to drive to the bar, I figured. The cops, who by now are well aware of the meaning of the old hippie code 420, would surely be out in full force, combing the streets for any "suspicious"  people and/or vehicles. By the grace of good fortune, the Hull Avenue Tap is a mere three blocks away from my girlfriend's house, which makes for an easy walk when the opportunity arises. As it turned out we were lucky... There wasn't a parking spot within two blocks of the tavern.



We opted to use the back entrance of the bar as it normally is a bit more inconspicuous than walking through the front door. On this particular night, being obscure was merely a pipe dream; there were a hundred people outside the bar smoking cigarettes and (to quote Arlo Guthrie ) "all kinds of things." Immediate entrance to the bar was futile as we bumped into several friends who were gathered outside. There were also a hundred people that we didn't know, and the level of intensity was at a noticeable high. It became evident right away that this wasn't a normal Johnny Reeferseed crowd and while being in danger was never an issue, there was an unsettling feeling of combustion in the air. It was intense and the vibe was slightly rough. People were very drunk and milling about belligerently, weaving in and out of the crowded pockets of the revelers that had formed outside to smoke. Chatter was loud, plentiful and mostly incoherent.The atmosphere was rare... The scene was poppin'!

It was apparently break time as a band called Fruition had just left the stage.

I was unfamiliar with the bands in the lineup except for Johnny Reeferseed. I was assuming that the entire lineup was created with the 4/20 holiday in mind. The bill listed four bands: Dogomite, Fruition, The Bastard Assholes, and Johnny Reeferseed and the High Rollers. Being eleven o'clock we had already missed Dogomite and Fruition. However, having not entered the bar, and because nobody was talking about the bands, we didn't know this yet.

We were hanging out talking to some friends outside the back door. Some dude ducked into the circle we were conversing with, threw his arms back, puffed his chest out and said something along the lines of "Arghurraaagggggulllod!" Then he disappeared.

The heavy drinking crowd was in full representation. This was a unique brood... You know the types - The ones who get out once or twice a year as opposed to those who check out the local music scene every weekend. When they do come out they arrive as human wrecking balls, like kids turning 21 on New Years Eve. The Hull Avenue Tap has a reputation for being a rough and intoxicated place at times, and it was certainly living up to it's reputation on this night.

Eventually we made our way into the bar and it seemed to be filled to maximum capacity despite the hundred or so who were still outside. The crowd indoors was equally wound up. It was separated into various groups of people with lots of stragglers milling about. The bar itself was three people deep, and the two bartenders had their work cut out for them. Whiskey was being shot in alarming doses, puddles of Jagermeister were being spilled on the bar, and the bartenders were doing everything they could do to keep up with the demand. They were doing a great job despite it seeming like a  scene out of the old west. We managed to score a couple of drinks relatively quickly and spotted Jacob County standing across the room. He was with his band mates, the additional High Rollers, who all had a look of discern on their faces. It was well past 11:00 and I was wondering why they hadn't taken the stage yet. The uneasy feeling that was so evident outside was even more prominent inside, and the High Rollers had looks on their faces like they were not sure what to expect.

"Kinda nuts in here tonight, man!" I said to Jacob.

"Yeah, a little bit!" he replied with a laugh. "There's still a band paying before us."

"You mean you guys aren't even next?"

The band that was next was TBA, or as they are otherwise known as, The Bastard Assholes. TBA is a three piece outfit, but the amount of equipment they were hauling up to the stage was enough to fill up a semi trailer. Neil Peart's drum set doesn't require as much attention as this kit seemed to, and it was as if the bass player and the guitarist each had about 20 sets of speakers and monitors to load on the stage, each one the size of a washing machine. Watching them make trip after trip with their giant speakers, you began to realize one thing: Pretty soon it was going to get louder than fuck in here.

After taking forever to set their equipment up, TBA finally started to play... Or so it seemed. After a few riffs, and just when the song just seemed to get going, they stopped.

This happened two or three times; they'd play well into what could be considered a song and then just  for seemingly no reason, stop playing. Eventually they must have worked out their kinks because on the fourth attempt, they seemed to have found the sound that they were searching for. It became evident because the song lasted about 25 minutes. There was no singing... Just long droned out bass and guitar riffs amplified with heavy percussion. Iron Butterfly would have been proud. These guys make Electric Wizard sound like Smash Mouth.

After about 45 minutes of the loudest and most intense display of sludge rock the world has ever been privy to witness, The Reeferseeds began to get antsy. They started carrying their equipment to the stage area as if to make a point that TBA was encroaching into their time slot. TBA got the hint and abruptly stopped playing. Then they embarked on the tedious task of breaking down their equipment and carrying it off of the stage.

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Ok, back up about 25 years. I'm sitting in Shep's basement apartment in Newton. He and I are polishing off a bottle of Jack Daniels with long careful swigs, talking about how one day we are going to take conquest of the world with our own exotic style of rock and roll. Neither one of us can really play at that point but we are waxing about how in the future we will be packing stadiums and destroying hotel rooms. We'll be as inventive as Zappa, cool as the Stones, as rabid as The Who, and as magnetic the Beatles. We will do whatever we want and draw a crowd doing it... And one day just because we can, we will play a style of mish-mash rock and roll that makes absolutely no sense to anybodies ears. It will be the greatest hustle in the history of music. We will suck as bad as we possibly can, but people will pretend to love it because of who we are. We will piss off the promoters by playing well past the time slot they have allowed us, right up until they walk up onto the stage and unplug our equipment and have us arrested... People will talk about it forever.

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I don't know why, but even now there was something extremely endearing to me about TBA's set. Maybe it's because it was a  nice champion to all the times I've wanted to put my middle finger up for the world to see, or maybe just to prove my point that we people are a herd animal not any different from sheep or other livestock. People often perceive something as being cool, not realizing that they are being served a farce.. Andy Kaufman and Frank Zappa were really good at catching people with this act. So was Lester Bangs...

And despite what anybody else might have thought about them, I really enjoyed The Bastard Assholes and their one finger salute. I guess the 19 year old me hasn't left my soul yet.

Johnny Reeferseed and the High Rollers finally took the stage. This night it was special because the original lineup was playing together for the first time in a long time. For whatever reason, the band had been on hiatus and it was great to see them together onstage again. The lineup was Johnny Reeferseed on vocals and guitar, the legendary Jacob County playing lead, Keef Hashman also on guitar, Beth Spaniel on the bass, and Joe McGillicutty on the drums.

L-R Jacob County, Keef Hashman, Johnny Reeferseed, and Beth Spaniel
(Photo by The Bigfoot Diaries)

This was the lineup that three times was named the winner of the Marijuana Music Awards, and was once awarded High Times Magazine's Unsigned Band of the Week. This is Iowa's greatest party band, and on any given night, Johnny Reeferseed and the High Rollers are potentially the greatest rock and roll band in the world.

I'm dead serious.

The atmospheres inside the bar was still insane. The clock was pushing midnight, and people were as wound up as I have ever seen them at the Hull. A human conveyor line was formed throughout the crowd which was assisting TBA with unloading their equipment from the stage and out through the back door. This continued even after the High Rollers began playing. It was reefer madness. The place was completely full and people were cramped together like pigs in a slaughterhouse. It was becoming evident that the 4/20 holiday was in full effect. Marijuana and Jager Bombs make for strange bed fellows, and a cloud of weirdness seemed to settle above the crowd. And just when it was reaching it's fiercest peak, the band started playing.

There's a little ole place across from city hall
That's where some fucked up people come to have a ball
Everybody's getting high, they're feeling alright
Cause it's Mother's Day on a Friday night


There sits Tyrone, he's the king of the block
and he likes to drink Mad Dog round the clock
Don't step on his toes, don't give him no funny looks
or he'll beat your ass down with his vicious left hook
Then he'll take your woman home without even a blink
cause all Tyrone wants to do is fight, fuck and drink


Here come East side Sally from the wrong side of the tracks
Folks say she's got a mattress attached to her back
She's high on whiskey cocaine and ludes
and if you got a big ol' rock, she might go home with you
then you better get ready to swim or sink
cause all sally wants to do is fight, fuck and drink


"Fight Fuck and Drink" was the perfect song to start the night. This song was written as a parodied tribute to Des Moines' East Side, and has since become somewhat of an anthem for the band. Looking around during this song, I noticed that the bar was beginning to empty out a bit. Maybe it was because it was now after midnight, and people had to get home in time to relieve their baby sitters at a reasonable time, or maybe TBA scared everybody away... Whatever the reason, it had suddenly become much easier to breathe inside the Hull Avenue Tap. Those who stayed were treated to a quick but very good set by Johnny Reeferseed and the High Rollers. It is a treat to see this band play live in any venue, as they absolutely bring it every single time. This night was certainly no different. Whether it was the band's extended wait to take the stage or my own mental illusion from the copious amounts of whiskey I had been ingesting, it appeared that the High Rollers came out firing with both chambers spinning.

Jacob County, Keef Hashman and Johnny Reeferseed onstage with a prop

Beth Spaniel gave another demonstration of why she is one of the finest bass players in Des Moines, especially during the band's version of  the Stones' "Miss You." Joe McGillicutty as always played with an unmatched style and relentless energy. During "Miss You" and "Wild Horses" Johnny Reeferseed, Jacob County, and Keef Hashman traded leads back and forth like a cosmic three way between Mick Taylor, Keith Richards, and Ronnie Wood. The only thing that was more raw then the trio of guitars was Johnny's made-for-singing-honky-tonk voice. The lyrics flowed like a smoke cloud of sonic utopia.  It's a damn shame that this band isn't the house band somewhere.

Whether they are playing Stones' covers, or one of Afroman's, or even one that they rolled up themselves, Johnny Reeferseed and the High Rollers know how to throw a party. While this particular night might not have showcased their greatest effort compared to some I've seen in the past, it was still better than anything else I've seen lately.

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Set list (based off memory):

Fight Fuck and Drink
Wild Horses
Miss You
Light 'em Up/ Thank You For Letting Me Be Myself/ Light 'em Up
Brother Can You Spare a Dime
Because I Got High
Dine and Dash

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Pertinent Links:

Johnny Reeferseed and the High Rollers (Reverb Nation)

Johnny Reeferseed and the High Rollers (Facebook)

Bigfoot Diaries Interview with Jacob County

Thursday, April 26, 2012

Bob Patton: Pumping Political Irony

Drawn exclusively for the Bigfoot Diaries by Bob Patton 2012
(Click to enlarge)

Tuesday, April 24, 2012

A Message From Nick Saloman



THE BEVIS FROND RECORD STORE DAY 45 IS NOW AVAILABLE DIRECT
Limited Edition Single for
Record Store Day 2012
In response to the messages I have had recently, I held back 180 copies of this single. I realised that many aficionados wouldn’t be able to nab a RSD 45, so I only supplied the distributors with 300 copies of I had 500 pressed. I’ve kept 20 for the archives. So once these 180 have gone, that’s yer lot.

The single comprises 2 previously... unreleased tracks recorded at home about 4 years ago. They are ‘Hard Meat At The Midnight Court’ c/w ‘Number One Defender’. I play everything. The single comes in a nice picture sleeve featuring 2 photos I took, and you can buy copies direct from me for £5 a copy, plus P&P (which is as follows: UK £1.50, Europe £3, USA & Elsewhere £4). Sorry about the higher postage costs, but the Post Office has just put up all their prices!

You can pay via Paypal, using my email address, which is:

nicksaloman@btinternet.com


Or you can send cheques (made to N. SALOMAN) or cash to me at:
 
88 OLD LONDON ROAD,
HASTINGS, EAST SUSSEX,
TN35 5LZ, UK.

If you decide to send foreign currency, remember it costs me to exchange it, so could you add a bit to cover that please.

 By the way, Mojo Magazine has asked The Frond to contribute a track to their July issue CD, which is based around ‘Yellow Submarine’, and we’re recording an exclusive version of ‘Hey Bulldog’. So that should be interesting!

 And as usual, thanks so much for your continuing support.

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Related Links:

Bigfoot Diaries interview with Nick Saloman

Bigfoot Diaries review of The Leaving of London


Thursday, April 19, 2012

3B Entertainment Presents: Right in the Cloaca

A couple of weeks ago I met with some of the crew of 3B Entertainment to discuss the latest film that they are working on, a skit-infused production called "Right in the Cloaca." It's the fourth movie this crew has produced together, and if enthusiasm is any indication, this one might prove to be the most successful one to date. If nothing else, it was definitely the most fun.



Cloaca is a sketch comedy, in the same vein as Kentucky Fried Movie.

"Sketch comedy has been really what we've done for a quarter of a century now, because it's easy," admits Josh Brown, one of the 3 B's in 3B Entertainment. "It's short, it's concise, and there is just alot of stuff to make fun of."

"There's an obscure movie nobody will remember," he continues. "It was from our youth, that we probably shouldn't have watched because it was very rated R and we were little kids, but it was a National Lampoon movie called Disco Beaver from Outer Space. It's kind of like what we are doing here with Cloaca. It's like channel surfing, but what you are surfing to is all the crap we have cooked up in our disturbed little minds."

"It's sort of akin to watching Saturday Night Live," adds Lewayne White. "You're going to see alot of the same faces doing different things. There's not a whole lot of recurring characters in it, but you've got a lot of the same faces you're going to see in different scenes."

White is the president of the Iowa Script Writer's Alliance, a six panel membership club that exists to provide support to playwrights, screen writers and other folks who put words into action. He joined  3B during the filming of  2009's unreleased zombie epic, The Wait. While his forte is obviously in writing script, he has also taken on several acting roles in Right in the Cloaca.

"I am not an actual member of the LLC," Lewayne says of 3B Entertainment. "But I've done some script work, and props and some costumes, you know a little bit of everything."

The LLC belongs to brothers Josh and Dan Brown, and sister Kate. Growing up, they realized that they had a penchant for entertaining, and decided to incorporate it (literally) into a full time hobby.

3B Entertainment founders Dan, Kate and Josh Brown
"We led a twisted childhood, states Dan. "My parents were pretty lenient in letting us absorb everything that we could absorb. They wanted us to experience everything that they could experience, so we really had no rules when it came to music or movies, or whatever it was. I mean my mom didn't mind taking us out and buying us KISS records when we were eight, nine, ten years old."

This paved the way for an active imagination, and as one might expect an outward personality. Josh and Dan realized that they were showman from a very young age.

"One thing Josh and I used to do was put on KISS concerts in the neighborhood for everyone. We'd hang a speaker in our window, and we would put on records, and we had two other buddies and we'd put on the whole show... Everything. We had lights, pyrotechnics, the whole nine yards. So we found out that performing was just something that we were in to."

Kate might not have had the opportunity to perform KISS concerts with her brothers, but she has always been privy to their show-off shenanigans. Ever since they were all young, the Browns have worked as a trio, feeding off of each other's ideas and creativity.

"Our 3B creativity meetings can get pretty wild," she explained. "But there is lots of laughter and sharing of ideas. So far, I have acted, directed, written, held light and microphones, set designed, costumed, held cue cards, ran the camera, created fake props, and more. We have had so many helpful people involved with this project and I would never ask them to do anything I wouldn’t do myself. Each of us is unique and talented and part of the fun of our productions is being surprised by the talent others bring to the set.

"I have always enjoyed working with my brothers. Each one of us has our own 'style.'" She adds. "But the styles meld together well and all of us have a knack for making people laugh."

A recipe for laughter. L-R:  Matt Curtis, Allie Yungclas, Josh Brown,
Daniel Brown, Steve Kirby, Jessica Bell, Kate Brown
Right in the Cloaca is a recipe for laughter. It is a series of individual skits put on film, each one a parody of what we as a culture have settled for in televised entertainment. Reality TV is ridiculous enough, but 3B has taken it to the next level by exposing it for what it actually is... Unrealistic. It's a product dreamed up in a corporate board room that's presented to the public for mass consumption. It's sold as reality, but it's actually situational choreography. Whether it's Survivor or Meet the Kardashians, it's a product carefully scripted to meet the low levels of consumer expectation and then it's force fed into society like poison candy.

It's almost impossible to escape it... Reality TV is on the magazine shelves at the supermarket, and it's the topic du jour at the water coolers in our office buildings. It's discussed on local radio shows, and lines of product are sold in bulk at toy stores and all the trendy retail outlets. It's become such a vital cog of our society and it's become so extreme, that it couldn't be further away from what is true reality.

That's what epitomizes Right in the Cloaca. It exposes this (un)vital cog for what it is and turns it up a notch or two.

Dan Brown explains his film as, "...One man's journey through late night TV. The gist of it is that a guy just bought a new satellite... Has never had it before, installed it, and now he's going through the 8000 something channels that he has, that he's never seen before. So he's exposed to all of these things he didn't know existed beforehand."

So yeah... It's like Reality TV on psychedelic steroids. Sounds wonderful, doesn't it? Grab some popcorn.

The title for the production comes directly from a scene in the movie.  The character in the scene, Lance, is clicking through the channels and keeps coming back to this bad '70s B monster flick called "Manphibian". It's one of two or three channels he keeps switching back to during the night. One can pretty much suspect that hilarity ensues... And it does.

And in case you slept through biology class, a cloaca is "essentially the anal part of amphibians and reptiles," according to Lewayne. So, essentially the title of the movie is, "Right in the Ass."

"Most of our stuff is pretty innocuous for the most part," adds Dan Brown. "We are picking on some of the trends you are seeing right now. If you go on TV, the Learning Channel for instance, everything is so extreme, everyone is some kind of freak or whatever it is, so we are kind of picking on those things that are going on. None of us are too fond of it, so we've created Extreme Janitors, Extreme Bigfoot Hunters, and Extreme Librarians, etcetera.We are making fun of all these things."

So in the movie, Lance is switching through the channels on his new satellite dish, taking in a whole new world for the first time.

According to Dan, he clicks to an episode of Time Life Records, lots of advertisements, and lots of satire, some which is quite extreme. "We definitely went a little past the envelope for us." Dan points out. "We went to some of the bluer stuff." There is an episode called The Sex Games which makes fun of ESPN's The X Games. It's the same type of thing, but all the games involve sex.

Josh explains the sexual components of the movie with careful thought. "There's some pretty... How can I put this nicely? Um... specialized portions of this movie that we certainly weren't going to be comfortable asking our own sister, or someone like Jessica or someone, something to do. This movie has got nudity, it's got a lot of sexual content, it's very grown-up... It's sort of like a National Lampoon thing... So I don't wanna make it sound like we are out here shooting hard core porn, but we are doing a Kentucky Fried Movie kind of thing. So, it's dirty but it's not so over the top that people will die or anything.

Matt Curtis, who is working on his 3rd film with 3B Entertainment, knew the right person for the job: His wife, Michael, who normally does make up and hair, and helps with set design.

"I do some of the parts that um... other people are like, 'I don't want to do that.'" Michael explains. "I'm like, OK I guess I'll do it."

She admits that she is very shy when it comes to being on camera, so in this sense she is really taking on for the team. She has known the 3B group for several years, from back when they were still putting on their (then annual) haunted house during Halloween. "I helped with the scenery... My husband and I helped even putting up walls." She noted. Her husband Matt has been much more active in the visual production of the movies, whereas Michael prefers to stay behind the scenes, except when a part comes up that nobody else feels like doing.

Jessica, Lewayne, Dan, Matt, and Josh
Jessica Bell is another actress who is enjoying her first venture into film making with 3B. Like many of the cast members she works at Meredith Corp, where she met Josh and expressed interest in helping out.

"Josh is a little ADHD." she said, laughing. "You gotta reel him in sometimes!" Still though she is having fun. She plays an extreme librarian in a fun-poking skit about competitive librarian skills. She's been involved in a scene involving Bigfoot, and a tornado chasing scene, amongst others.

"I expressed some interest in just helping out behind the scenes, and the next thing I know I've got lines. I started out with it just so I could have some fun, hang out and it's grown from there and if something comes of it, awesome... If not, it was fun!"

3B Entertainment officially took it's name in 2010, and creates much more than just movies. "For the longest time we called ourselves Cheesy Productions, Says Dan Brown. "We actually have a production hopefully coming out this summer into the fall called Cheesy TV that we're going to do for a web series." With so much going on, obviously it can get expensive. The budget for Right in the Cloaca is in the "low thousands," according to Dan. Some of the funding for these projects comes from donors but most of it comes out of their own pockets.

Matt Curtis sees this as the biggest obstacle they face. ""Our big thing is funding," he explains. "You see these other movies that come out on Netflix, internet stuff and whatever not; it's complete garbage, and it's like, 'how did they get the money funding to do that?' We have original stuff that's neat... It's funny, there is actual genuine quality there, and we can't get some of the money we need to buy the stuff we need for some of the props, building some of the sets, and just upgrading some of the camera and lighting equipment that we have. It's not like we have a huge budget. Some of the stuff costs 1500 to 5000 bucks. That's chump change to some of these other productions that we see."

Money is never easy to come by, let alone for an independent film company who is trying to strive despite the state reeling from a horrible film scandal that rocked the Chet Culver (Governor) administration. Film makers were inflating their film budgets by millions of dollars to cash in on tax money that was offered by the state of Iowa. It left a bad taste in alot of people's mouths, and some of those people are influential art types who have donated big money to film projects in the past. Now they are thinking twice about donating money and the film business in particular has taken a huge hit.

"It's just like anything you are trying to get money for," Matt explains. "Whether it is a small business or whatever, it's sort of like pulling teeth from people, and until you can kind of prove that, you know... We're not new at this. Josh has put on three or four full feature films and we're on our second or third that alot of people haven't seen, and it took a lot to put together, and until people see that we're not just a couple of guys down in the basement with an old VHS camcorder recording stuff and wanting to play that... And are genuinely wanting to step it up to the next level and trying to put Des Moines on the map for some of the local filming stuff. I just don't know how to get us there unfortunately."

Josh Brown tends to disagree.

"It's not money," he said. "You'd think that wouldn't ya? The biggest obstacle we've had on these is everyone is doing it for free and so... Everyone has jobs... Everyone has schedules, and so it's not like, 'Let's take five weeks, hammer this thing out and we're done. No, you're two days here, one day there and 4 hours there so you've got to piecemeal it together. So it's the people really 'cause you are coordinating a bunch of different schedules. When you are paying them, they HAVE to show up and you can get it done in a short space of time."

On the set of Right in the Cloaca
"Every movie that we've done has produced a few gems and this movie was no different," he continued. "Jessica and Lewayne have been little troopers. I mean, you get some people that have only showed up once, twice or never... They keep saying they are going to, but never do. Then you get people like Jessica and Lewayne who, if we say we are shooting, they are there. It is difficult to get people to commit to something that they are not getting paid for. But we've had enough people show up enough times that we are going to have a complete movie."

Filming is done and the movie is now in the final editing stages. June 9th is the tentative date for the premiere party. It will be a private event reserved for friends, family and the press.

"I don't want to just call it a release, because we are going to make it an absolute zoo. Heaven help us, and Hell prepare to welcome us..." Josh said with a huge smile on his face. "It'll be here at Meredith in late April, and then our plan is to probably show it at the Fleur Cinema here in town if they will have us... You never can tell. They may tell us, 'Up yours!'"

Then, after a moment of thought, he adds, "Our plan as well is to distribute on Netflix, iTunes, Amazon and Voodoo."

Kate Brown sums it up perfectly. "I am not ashamed of anything I’ve done in this movie. This was  the most fun I’ve had in my entire life. I want the rest of the world to catch that when they see it."

Sounds like a cloaca kicking time.

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Pertinent links:

To Donate contact Josh Brown

3B Entertainment Official

Monday, April 16, 2012

Glen Campbell: C.Y. Stephens Ames, IA 4/15/12

Last night legendary Country and Western music star Glen Campbell played to a full house at C.Y. Stephens Auditorium in Ames. It was one of many stops on The Goodbye Tour, which is showcasing the legendary performer's life in song while bringing awareness to the debilitating disease which is eating his brain. Having suffered from memory loss for several years, he was diagnosed with Alzheimer's in January of 2011. The Goodbye Tour is an acknowledgement to this horrible disease and one final chance to perform for his fans across the United States.

Joining him on tour is Instant People, a band which features three of his children, Cal, Shannon and daughter Ashley. This band, in addition with his long time keyboardist T.J. Kuenster, joined him onstage for what was a wonderful performance from a play list that spanned throughout a long and established career.

For someone who is suffering from Alzheimer's Disease, Glen Campbell put on a hell of a show.

Right out of the gate he tackled what is perhaps his most lyrically-challenging song, "Gentle On My Mind." He handled it with ease for the most part, only experiencing a brief stumble on the third verse. However, as quickly as he forgot the lyrics, he picked them up again, and caught up with the song in mid flow. It was an occurrence that would happen throughout the evening.

It would probably be a safe assumption that most of the 2600 people in attendance were aware of Campbell's handicap, and he was given a free pass. The times he did mess up and forget the words to the songs were treated with respect and dignity. He himself made light of the situation by constantly talking to the audience, relating stories, and even making fun of himself. At one point while his daughter Ashley was tuning her banjo, he suggested to his bandmates that he tell some jokes to keep the audience entertained.

Then he turned to the crowd and said, "I probably know 100 jokes but I can't remember any of them."

Everybody had a good laugh, including Campbell. One can only imagine that having fun with the symptoms of his disease works as therapy for the 75 year old crooner... Especially when he is able to share these awkward moments with those he loves the most doing what he's always done.

Campbell singing "Lovesick Blues". Photo by Bigfoot Diaries
(Click to Enlarge)

His band was there to pick him up as needed, which surprisingly, really wasn't as often as one might think. Without fail he handled "By The Time I Get To Phoenix." Same goes for "Try a Little Kindness," and the Don Gibson classic, "I Can't Stop Loving You." He didn't miss a beat with his rendition of Hank Williams "Lovesick Blues," and he handled the yodelling parts of the song with ease. His voice seemed to get stronger as the night wore on.

One of Campbell's greatest attributes is his affinity for picking the guitar. It literally was his bread and butter early in his career when he was a session musician playing alongside the Beach Boys, Frank Sinatra, Johnny Cash, Willie Nelson, Buck Owens, Dean Martin, Jerry Reed, among many others.

He didn't disappoint tonight as he ripped off  one blistering guitar solo after another throughout his play list. During one particular highlight of the evening, he pitted his black Fender Stat against his daughter's banjo for a jaw dropping battle of the strings on "Dueling Banjos."

"Dueling Banjos" Photo by Bigfoot Diaries (Click to Enlarge)
He offered a tribute to Jimmy Webb, the lyricist with whom Campbell wrote most of his hits with, mentioning his name a few times before performing a certain song. Examples were "Where's the Playground Susie," "Wichita Lineman," and "The Moon is a Harsh Mistress", a song made as famous by Linda Ronstadt and Joe Cocker as it was by Campbell. "Lineman" was perhaps the highlight of the night, taking honors as the crowd's favorite. Four times throughout the evening the audience rose to it's feet and offered a standing ovation. "Witchita Lineman" was one of those times.

The final song of the night was a moving number from Campbell's latest release, Ghost on the Canvas called "A Better Place." It was a nice ending to the evening, and in a lot of ways a summary of what could only be described as his legendary existence. Once again Campbell faced his disease head on, grabbing it by the horns.

"Sometimes, I'm so confused, Lord," He sang. "My past gets in my way. I need the ones I love, Lord. More and more each day."

This time the standing ovation lasted until the lights came on.

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Set List:

"Gentle on My Mind"
"Galveston"
"By the Time I Get to Phoenix"
"Try a Little Kindness"
"Where's the Playground Susie" Jimmy Webb
"Didn't We"
"I Can't Stop Loving You"
"True Grit"
"Lovesick Blues"
"Dueling Banjos"

"Hey Little One" (Without Glen Campbell)

"Any Trouble"
"It's Your Amazing Grace"
"The Moon is a Harsh Mistress"
"Country Boy (You Got Your Feet in L.A.)"
"Wichita Lineman"
"Rhinestone Cowboy"

Encore

"Southern Nights"
"A Better Place"
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Wednesday, April 11, 2012

Ritchie Teeter Dies: Circumstances Unknown

Ritchie Teeter, former drummer for The Dictators and Twisted Sister has passed away. He joined the Dictators in 1976 and played on two albums, 'Manifest Destiny' and 'Blood Brothers' before departing from the group in 1979. He continued to play with the Dictators off and on for several years.

He joined 'Tators band mate Mark Mendoza in Twisted Sister briefly during the early '80s, but never appeared on any recordings. Details of his death have not yet been released.

Teeter was 61 years old
For updates check The Dictators Official Web Site.

Monday, April 9, 2012

RIP Stinkweed

Kindred McCune known to most as as Stinkweed passed away recently. He was most known for being in Grindcore bands Plutocracy, Agents Of Satan, and No Le$$. They all ruled. Plutocracy canceled their tour last month (which I had plans going to) 'cause Stinkweed had a leg infection. That may have to do with his death but no one is sure. RIP Stinkweed. You will be missed.

Despise You-The Black Castle-Los Angeles,CA-4/6/12


As some of you may know ACxDC front man Sergio had twin daughters a few months ago. One of his daughters, Savina, has a small pulmonary vein as well as a small hole in her tiny heart, which means she only gets 94% of the oxygen she needs. The surgery for that is gonna cost a lot and the Powerviolence/Grind scene has been donating, throwing benefit shows, and other stuff to raise money for little Savina.

And this isn't just in California... All over America people are throwing shows for her. This show was another benefit show, but a big deal since Powerviolence legends Despise You where headlining. 

Now seeing DxYx live is sort of rare. So you must really jump at the opportunity to see them, especially if they headline. This show was moved 5 times since it was announced. From 5 Star Bar(always got raided and not enough room) , to some hall in East LA(Not enough capacity), to Self Help Graphics(ended up needing construction), to Salon De La Plaza (the cops got involved way before the show even started). They day of the show it was moved to the Black Castle in L.A. Luckily it was still happening.
    
The first band was Fontana's own Vomitbastard. They are a new underground Powerviolence (not so known band) that I've seen twice, that rules. They set up on the floor and played they're usual set and gave it their all. First time playing in LA, and the crowed liked 'em a lot. They ended with a cover of their buddy's in xMayonnaisethebastardx. They passed out demos but I lost mine. Check em out tho.




Then was Inland Empires Hordes. A good ol blend of Hardcore, Crust, Grind, Doom, etc. Ive been wanting to see these guys for a while and they did not disappoint. Kids starting moshing back 'n forth for these guys while the band's front man was doing it as well. Tho they played a short set I need to see 'em play again and longer. For fans of Nails, Trap Them, Early Graves,etc. Download Abargonisis EP here!




Hoy Pinoy recently got added on the bill. Which was cool cause two the times Ive seen em headline a show they were great. They played and the whole freakin place turned to a huge ass pit. Some of their drums symbols were knocked down and kids were falling everywhere. This time is the first time I see Hoy Pinoy open up a show and they still make the audience go nuts over them. Hoy Pinoy in my opinion is too underrated. ACxDC and DNF  are known all over. HP needs to as well. Download their stuff here!


Local Grinders Syntax also had a crazy set. Which is obvious since this band has ex members of Bastardass. Raw, nasty Grind. Check em out here!




One of the highlights was ACxDC as always. Sergio thanked everyone,especially for helping to save his daughter's life. They started playing and as expected the room went more wild then it already was. They played all my favorite songs like Milk Was A Bad Choice and Turtle Power. With all the kids going wild this had to be one of the best time I've seen the band live. They then did the unimaginable. They brought out Chris Dodge of Despise You (also of Lack Of Interest, Low Threat Profile,etc) to sing Sword Of The Lord by his old legendary band SPAZZ. The crowd went nuts. I mean nuts. People where jumping everywhere, pushing, pitting. That's probably the closest you'll ever get o a Spazz reunion. And it ruled hard! To help donate to Sergio's Daughter (if you cant make it to a benefit show) you can either:

Buy ACxDC merch here.
Buy ACxDC music here.
or just donate straight to Sergio by emailing him at sergioamalfitano@yahoo.com



Last opener was Inglewood's Final Draft. Another band I was excited to see. They play very good and Powerviolence. Angry Pissed and Fast. Nuff said! Check out their S/T EP.



Finally it was time for Despise You. Most of the show The audience was around the bands and the left room for the pit. This time we all got up front right next to band. They where probably suffocating with us. They started and the place went nuts. We were all jumping and singing along and screaming lyrics. Lead singers Chris Elder and Cynthia were in a tight spot singing with us. Drummer Rob (also from Evildead, Winterthrall, etc) was pounding the shit out of his drums right next to us (I always see him on a stage), and Chris Dodge was once again mixed in the audience trying to play guitar. Like last time they threw a skateboard into he crowd and kids went like hungry wolves to get it. Sergio even crowd surfed using an ACxDC deck as if he was surfing. It was one crazy ass show. You obviously have Westside Horizons in your collection. If not you need it. Plus their split with Agoraphobic Nosebleed,And On And On.... Until further notice, Despise You wins show of the year.