Friday, February 22, 2019

5 Questions with … Anne Mathey of Lefty's Live Music



Anne, slinging drinks at Lefty's.
Anne Mathey is the co-owner of Lefty’s Live Music, pourer of strong drinks, and a friend to animals (and some people).

She opened Lefty’s in April, 2015 with her partner in crime Erik Brown after both had spent time working, serving drinks, booking shows, and mopping floors at The House of Bricks. Having started as as a cocktail waitress at the HOB back when it was still on Merle Hay Road and sticking around for another 10 years, Anne developed a pretty good grasp on what it took to run a music venue / bar of that size.

She and Erik came up with a plan for booking shows and bringing fresh talent, faces, and money into the HOB just in time to learn that owner JC Wilson was planning to close shop and get out of the business.

What could have been another loss to the music scene in Des Moines turned into a blessing. The plan they developed for the HOB basically became the business plan for a new venue. Anne and Erik planned for about a year, getting the money figured out, and watching for a good location.

When the building on University where Hairy Mary’s was last located showed up on real estate sites, they set up a visit immediately. “We walked in and knew this was the place the second we walked through the door,” says Anne.

Anne Mathey and Erik Brown, the Lefty's Dynamic Duo
They received the keys on Saint Patrick’s Day and spent the next weeks working 18-hour days to renovate the place and opened exactly a month later.

In the past four years Lefty’s has become an integral part of the music scene in Des Moines, hosting regional and national touring acts, local bands, art shows, burlesque performances, and offering space on a historic stage for up and coming musicians to hone their chops in front of an audience.
It’s a kick ass venue with amazing murals on the wall, killer sound, strong drinks, and a men’s room that allows you to piss on Donald Trump while Frank Zappa looks on – reason enough to visit in my mind.
Anne took time to answer Five (plus) questions about the misadventures of running a music venue in Des Moines.

So you named Lefty’s after your dog, right? What happened to his leg?

Lefty

“I adopted him like that. The shelter said he was walking on the river when the ice broke and his front leg went through and got caught in a log jam under water. The fire department had to put on wet suits and army crawl out to the middle of the river to get him. They took him to Animal Lifeline and they amputated because of frost bite and nobody claimed him. I got him in the spring of 2008, and he was the first dog I saw at the first place I went. I figured I couldn’t get the very first dog so went to like five other places and kept saying, ‘I like that three-legged dog better’ so went back to get him but they were closed so had to come back again the next morning.”

What sets Lefty’s apart from other bars that host live music in Des Moines?
“One of the things we wanted to focus on was the quality of the experience. Any place can throw up a speaker so customers can listen to a band. But we really want people to experience live music in its entirety. We broke the bank on putting in the best sound system we could find, bringing in acousticians to explore the room and find the best placement of the speakers, finding dead spots etc. I personally spent an afternoon in a full body hazmat suit nailing up rolls of insulation under the stage so it wouldn’t reverberate like a giant drum. Little things like that that all come together to give music lovers the best experience in the city. Though we have regional, national, and international tours come through, we wanted to focus on local. Have local artist do the murals on the wall, have all local beers on tap, be a ‘club house’ for local musicians.”

What’s the most amazing show you’ve hosted?

“God there’s been so many it’s a blur. I’ll never forget the first one with Joe and Vikki Price and King of the Tramps. Mountain Sprout, an amazing bluegrass band came in 2016 (and a couple time since) the day that our good friend Jimi Scribner passed away. He loved that band and it was a really amazing tribute to have all his friends come out the day he passed and share stories and cry and listen to some of his favorite music (Jimi was the cook at HOB forever). I’m sure the band came in and was like ‘WTF are all these people crying about,” but that was a memorable show. Rev. Horton Heat was also a pretty awesome show.”

Anne (center), on any given night at Lefty's
Who’s the biggest diva you’ve had to work with?

“I remember at the HOB Chris Daughtry, who was on American idol I think, came in the winter and wouldn’t get off the bus until we dug out a path in the snow bank that the plows make on the street and put a carpet down over the whole path to the door. I guess so his shoes wouldn’t get snow on them?


How do you see the music scene in Des Moines right now?

“We really do have some pretty amazing talent around here. And it seems like whenever someone’s down for whatever reason and we have a benefit, everyone comes out in force and really pulls together to raise money and put on a show. We’ve hosted benefits for everything from my cat to Jimi’s medical funds and funeral costs etc.

The scene throughout time has had its ups and downs, as far as number of bands around, number of venues, number of fans and people who come out. I feel like we’ve been in a down swing lately. A lot of older bands just aren’t playing anymore because they’re all grown up and have jobs and kids etc. and there’s really not a new batch of young bands coming in to take their place—at least not enough of them. Part of the problem is Des Moines law forbidding minors into venues after 9 p.m., which we’ve been fighting since we opened and haven’t been able to make much progress on in the political world. Part of the problem is funding was cut in schools 10 or 15 years ago and the first thing to go was music and the arts. So fewer kids grew up learning and being exposed to music enough to want to start a band themselves.


I think Des Moines has always had a weaker scene then it should. There was that time in the mid 2000s when Omaha was big ‘the next Austin.’ We’ve never had that. I think in part because the city as a whole, politically at least, doesn’t support live music — doesn’t go out of its way to foster an environment that makes it easy for us to exist and the minor ordinance is a big part of that.”


It can be difficult to get people out to support live music – especially local music. Do you think that’s unique to Des Moines? What can we do to encourage people to get off the couch?

“So much entertainment comes straight to you these days via the internet you don’t have to leave your house to see a band. Just pull up the YouTube video. You used to HAVE to go to shows to see or hear any new material from your favorite bands. You’d go to a show and dig the opener and all of a sudden you have a new favorite. Now you get so much content coming straight to you, you don’t have to leave the couch to find new bands or a bands newest song or whatever. And it shows —daily I see articles about well-known, established venues across the country failing. We’re a dying breed that’s for sure.

How to get people off the couch is a struggle I fight daily. I think at some point people, especially young people, ARE going to realize that there is more to life than what you can view on a little screen. I would love to go back to the days where people would go out to a show whether they knew the bands or not, just to have something to do. We try to cultivate quality shows at Lefty’s. We want people to say ‘I’ve never heard of those bands but it’s at Lefty’s so I know it’s gonna be good.’ Some of my favorite bands now are ones that either opened for a band I knew or were bands I saw just because we were looking for something to do one night and wandered into a show.”  


One piece of advice you’d give local artists trying to draw a crowd?

“Advice for locals is support your scene. GO TO SHOWS. Seriously I can count on two hands the musicians who I consistently see at shows that are not theirs. If we can foster a scene where musicians go to shows every weekend that they’re not playing our scene would slay! Lead by example, you want people to go to your shows? Go to someone else’s!”




 
Lefty's Live Music, 2307 University Ave.



Thursday, February 14, 2019

Won't Fall in Love Today

Happy Valentines Day from The Bigfoot Diaries! And yeah, we know, it's a bullshit, made-up holiday. But really, aren't they all?

In honor of this special day created by Hallmark, here's a special One Minute Song of the Day:

Won't Fall in Love today by Suicidal fucking Tendencies.
Lyrics:
Baby, don't you be blue
You know that I'll always be true
You know know that I'll always love you
And we'll always be together, too
Over a thousand things I can say to you
Half of which would be un-true
But the one thing for sure I can say
Is that I won't fall in love today
Baby when you hold me tight
You know everything will be alright
So let's not take any time to fight
Because you know I love you with all my might
Over a thousand things I can say to you
Half of which would be un-true
But the one thing for sure I can say
Is that I won't fall in love today
Baby, you make me feel like a man
When we're rolling in the sand
So come and take me by the hand
And do the things you know we can
Over a thousand things I can say to you
Half of which would be un-true
But the one thing for sure I can say
Is that I won't fall in love today

Wednesday, February 13, 2019

One Minute Song of the Day - Little Room by The White Stripes

I really thought people might like postings with kickass short songs, but no one seems to look at them but me. Oh well, fuck it. Here's another good one - and one that feels relevant AF as the ice and snow has had me trapped at home lately ... 

Little Room by The White Stripes
LYRICS:
Well you're in your little room And you're working on something good But if it's really good You're gonna need a bigger room And when you're in the bigger room You might not know what to do You might have to think of How you got started sitting in your little room Da da da, Da da da...


Friday, February 8, 2019

One Minute Song of the Day - Wasted, by Black Flag and The Circle Jerks

Like your mom, some songs are just too quick and easy not to love.

This is the One Minute Song of the Day.

Today's selection is Wasted by Black Flag and The Circle Jerks.



Originally written by Keith Morris and Greg Ginn, Wasted was recorded for Black Flag’s 1979 debut EP Nervous Breakdown. Morris took the song with him when he left Black Flag to form the Circle Jerks and included it on the band's debut album, Group Sex. Which one do you prefer?



Lyrics:

I was so wasted I was a hippie I was a burnout I was a dropout I was out of my head I was a surfer I had a skateboard I was so heavy man, I lived on the strand I was so wasted I was so fucked up I was so messed up I was so screwed up I was out of my head I was so jacked up I was so drunk up I was so knocked out, I was out of my head I was so wasted I was wasted.





Monday, January 14, 2019

One Minute Song of the Day - The Radio Still Sucks

Like your mom, some songs are just too quick and easy not to love.
Like you, there's never any foreplay, no buildup, and not much extra. Just straight up action for 60 seconds or less.

This is the One Minute Song of the Day.

Today's selection is The Radio Still Sucks by The Ataris.

28 seconds of truth.

Enjoy - and tell us your favorite shorts songs so we can share...

Thursday, January 10, 2019

Some Questions with... Nate Niceswanger of Zzz Records



Des Moines in the year 2000 was pretty different than today. Seedy porn stores and dilapidated auto repair shops dotted the western end of downtown. The music scene was limping along with only Hairy Mary’s on University and The House of Bricks on Merle Hay providing space for local and/or smaller scale live music. Wells Fargo Arena wasn’t even an idea. Court Avenue was basically a strip of shitty chain restaurants (plus Buzzard Billy’s) and douchey clubs full of wanna be frat bros and whooo girls. There wasn't a single Starbucks in the entire metro. 
Nate Niceswanger, owner, founder, curator in chief, Zzz Records

I had just moved to the area and while it seemed like it could be cool, it just wasn’t. Not yet. Then one day I heard about a used record store that had opened in the old Masonic Temple building downtown. This was well before the vinyl boom that now has hipsters and soccer moms buying up records with little regard for price or quality. Being a dinosaur, I had never given up on my love of records so I was happy to hear about it. I wondered, though, how a shop like this could make it in such a sad, depressing town with so little happening.  

So I stopped by as soon as I could to check it out. On this first trip into Zzz Records I spent a few minutes talking to owner Nate Niceswanger and purchased copies of Iron Maiden’s Piece of Mind and Motley Crue’s Too Fast For Love. I still have both records. 

I’ve been giving my money to Nate in exchange for records ever since. Thanks in part to Zzz, I've compiled a pretty decent Zappa collection, picked up some great and not so easy to find metal and punk records, some amazing jazz, soul, old-school country, amazing local music, and too much stuff from the $2 bin to even recall. The shop really does have it all.

It’s not hyperbole to suggest that Nate opening this shop, a remarkably cool and fiscally irresponsible thing to do at that time, marked a turning point for Des Moines. Here was a young person opening a business, doing something he loved while supporting the burgeoning music scene, filling a need in the community, and serving as an example of fearless entrepreneurship, creativity, and chasing your passion in a time and place that didn’t really encourage that sort of thing.

Things changed quite a bit since then. Nate has moved the store a couple times — to the East Village for a while and then to its current home on Ingersoll Avenue — leading the way for others to come in to these areas and help make them alive and vibrant and successful.

Nate was the first person I met in Des Moines who was doing something risky and cool, and a whole lot of people followed his lead to make Des Moines what it is today. They mayor should give him a medal or the keys to the city or some such shit. Really. The man is a Goddamn hero.

The shop that I doubted would last six months is pushing 19 years old now and is nothing short of a Des Moines landmark. And Nate is still just a quiet, down-to-earth dude who sells records and does whatever he can for music fans, local musicians, record lovers, and foul-mouthed writers bugging him with questions for their blog.

He was nice enough to agree to do a Five Questions With…. for The Bigfoot Diaries, so of course we hit him with a lot more than 5 and, as always, he was game.

Check out the interview then get to Zzz Records and show him some much-deserved love.  While you're at it, check the shop out on Facebook as well.
 
What was the first record you ever bought?

“I bought my first record when I was 10. It was a 7" single of Thompson Twins' "Doctor! Doctor." I probably got it from K-Mart or Target, because that was all we had in Fort Dodge at the time. I guess you could say my collection started in 1984. But I didn't get really serious about it until the late 90s.”


Zzz records is the longest surviving record store in Des Moines. How do you do it?

“It helped a lot to be the only store in the entire city that really focused on vinyl for many years. My main competition from 2000 to about 2005 was Half Price Books. They had a decent selection of used CDs, LPs, and tapes, which was similar to my business model. Our other main competitor during that time was Peeples' Music, but they had mostly given up on vinyl by that time. For some reason, they invested heavily into odd things like Dave Matthews CD bootlegs; I think our inventories were completely different.
So, it worked out well in the early years, because I was actively searching out record collections, and didn't have much competition. It wasn't until the mid 2000s that Red Rooster opened up in Highland Park, and we finally had another independent record store in town. It's exploded since then, of course!


What’s changed in Des Moines since you opened in 2000?

Des Moines has obviously changed a lot since 2000, but I think the biggest changes happened in the first few years. DSM was pretty sleepy in the beginning. We were still in that stage where there was almost nothing to do downtown after 5 pm, and very little to do on weekends. If you were under 21, the only real hangout was Java Joe's on 4th Street. We didn't have much in the way of venues — no Vaudeville Mews, no Wooly's, Hoyt Sherman was pretty sleepy, and House of Bricks was OK, but way out on Merle Hay Road in a strip mall. And the entertainment options on Court Avenue were really limited, it was basically a bunch of lame Larry Smithson bars. It felt pretty dismal in many ways, and explains why so many young people wanted to leave this area in the late 90s and very early 00s.

Yet, at the same time, you could sense that maybe something cool was on the horizon. There were a few people sticking their necks out, trying to make DSM a little more interesting. Some of these stores/restaurants/venues were successful, and some were not. But I think psychologically, the idea that Des Moines could be an amazing place was starting to sink in with the younger crowd. Heck, I remember going to Someplace Else at 2:30 am and discussing my idea for a record store with the cook and some complete strangers.

It just felt like there was a new energy starting to emerge. People were starting to actually fight the city in their quest to demolish every historic building from the downtown district. And over time, you started to see downtown Des Moines and the East Village really transform into a pretty amazing area.


New Arrivals at Zzz Records, kind of pissed I missed that Dio record
When will hipsters get tired of buying vinyl so prices can go back down? Shouldn’t they be into retro CDs by now?

I actually think we've either hit or will be hitting very soon a bubble in the record market. Demand and prices can't keep climbing forever. There's actually a lot more supply than what many people realize, and more and more people are starting to retire. I feel like, except for the truly rare items, prices have to start leveling off and probably dropping soon. But that's just my hunch, I could be completely off here, too.

It's also funny that you mention CDs, because a lot of folks feel that used CDs could be the next big item. I hope so, because i have a LOT of CDs here.

What is the crown jewel of your personal collection?

I'm kind of an unusual collector in that I don't necessarily seek out really expensive items. Part of it is because some of my favorite artists were fairly popular and easy to collect — R.E.M, U2, Talking Heads, Devo, etc. And although groups like these all have some expensive pressings, I don't get wrapped up in that. I don't need the 2xLP version of Elvis Costello's "Get Happy"; I've already got an original that I picked up for $4 or $5. I guess if I did have to pick one item that I'd hang onto no matter what, it would be my original UK copy of My Bloody Valentine's "Loveless". I don't even know what the current value of it is, but that would be the last thing that I'd sell.


What is the rarest or most expensive record you’ve ever sold?

The rarest record I ever sold was something called "Blues Climax". It was a 1969 recording, very raw garage rock. I think it was mostly one guy, although he had a drummer help him out. The record was a rare, hand-made version before he had a "real" pressing made later. I can't remember exactly what we sold it for, but I'm pretty sure it went to a Japanese collector.


What is on your wish list in terms of records? Anything you’ve been looking to add to your personal collection?

I actually don't have anything specific that I'm looking for, believe it or not. I'm kind of at the point where if something odd comes in at the store, I'll give it a quick test and if it sounds good, I'll go ahead and consider keeping it for myself. So now I'm mostly picking up things like odd acid jazz or obscure new wave titles.


What album or artist could you happily go the rest of life without ever seeing again?

Jimmy Buffett. My god, do you remember when there were multiple bars in the area that would have Jimmy Buffett nights? I'm pretty sure they'd host them once a week. Ugh. I realize that he wasn't always a goofy caricature, but I just don't understand the rabid fan base that worships him. Having said that, I'm pretty tolerant of most artists, even things that I would consider cheesy. I've done this long enough to know that everyone's tastes are different. AND I also recognize that there are artists who I really didn't appreciate when I was young, but love now. My dad was a big Moody Blues fan. I wasn't. Now I probably have 4 or 5 of their LPs in my collection. Same with Leon Russell. And Neil Diamond. And others, I'm sure.


Early shoppers for Record Store Day
What is the coolest and weirdest thing you’ve had come through the shop doors?


I am terrible at recognizing famous people. At my very first location, Henry Rollins actually came in and looked around for about 15 minutes, before another customer came up and whispered, "You've got fuckin' Henry Rollins in the store." I had no idea it was him. Chris Robinson (Black Crowes) has actually been in our store twice undetected. To be fair, sometimes celebrities will disguise themselves a bit to fit in. I also feel like if we do recognize a famous or semi-famous musician, we just try to leave him/her alone. If a conversation comes up at the checkout counter, so be it, but I don't want to be that obnoxious owner who asks for pictures and an autograph, and then posts it on social media.

Desert Island, five albums. Don’t think about it, just list ‘em.

Loveless" by My Bloody Valentine has usually been my #1 album of all time, although I don't listen to it quite as much as I used to. But it still holds up well, so I'd leave it on my list. Other ones I'd probably pick right now would be "Script of the Bridge" by The Chameleons, "Fear of a Black Planet" by Public Enemy, "Fun House" by The Stooges... and "Mezcal Head" by Swervedriver. I realize I have 2 shoegaze-ish albums on there, but that was a huge influence for me when I was in college.